The Role of Fashion in Crime Symbolism in Ghana, West Africa
The Role of Fashion in Crime Symbolism in Ghana, West Africa
Ronald Osei MensahVivian Korankyea Social Development Section, Centre for Languages and Liberal Studies, Takoradi Technical University, Takoradi, Ghanab Department of Sociology and Anthropology, Faculty of Social Sciences, College of Humanities and Legal Studies, University of Cape Coast, Cape Coast, GhanaRonald Osei Mensah is a Lecturer in the Social Development Section at Takoradi Technical University and a Doctoral Researcher in the Department of Sociology and Anthropology at the University of Cape Coast, Ghana. His research interests include Criminal Justice Education, Crime and Cultural Deviance, Penology, Sociology of Education, Media Studies, and African History. He has more than fifty (50) referred publications to his credit because of his desire for writing and sharing global knowledge.Vivian Korankye is a Lecturer in the Fashion Department at Takoradi Technical University, Ghana, under the Faculty of Applied Arts and Technology. She is a PhD Candidate in the Industrial Arts Department at Kwame Nkrumah University of Science and Technology. Her research interests include fashion design approaches, cultural diplomacy, cross-cultural understanding, sustainability in the fashion industry, and design thinking and innovation.